This is where it is highly incumbent on the purchaser to inform themselves, and become aware of platform differences.
There are many shops that have both platforms, so these types of problems are solved internally.Īdobe was aware of these potential problems, and made note of them.
#Adobe premiere pro cc 2015 wmv slow Pc#
Sometimes, for the PC user, it means having a Mac-user Export in a different format. When an editor hits those differences, the trick is to find a way around them. Though they do seem to be getting closer together, there are still some differences between them. It is not Adobe's fault, but a dissimilarity between the platforms. That is something that PC users have been fighting for a fairly long time.
#Adobe premiere pro cc 2015 wmv slow install#
On the other side of the street, there are Mac-only CODEC's, that will not install on the PC. One should research software, to make sure that it fits their needs, rather than purchase it, and complain that it does not work, as one would have hoped it to. It may sound obvious, but always make sure that you’re working with clips that are shot at a higher frame rate (60fps at least) to be able to get the smoothest and seamless results possible later in post.It was not meant to be anything but useful for future purchases. As a rule, always conform your footage right after you import it in Premiere Pro CC to save the hustle to re-time your shots after you’ve already made edits.Įither way, you’ll be able to get some perfect slow motion videos while using these two different methods. Now, when you drag your clip into the Sequence, it will be slowed down while playing back at 23.976fps. For instance, if you have a clip shot at 60fps and your timeline is set to 23.976fps, enter the latter value and hit OK. All you have to do in this dialog box is select Assume this frame rate and enter the desired frame rate. Once your clip is selected, right-click on it, go to Modify and choose Interpret Footage. Unlike the previous method, however, you should select the clip that you want to conform directly in the Media Browser. Optionally, you can take this process one step further by using Time Remapping function and adding keyframes manually so that you can have even greater control over the process.Īnother way to achieve the same effect, but with more precise results is by conforming the clips in advance. Normally, these additional still images shouldn’t be visible when you play back your clip in real-time, but if you scrub through it frame by frame, you’ll be able to spot them much easier.
Keep in mind, that Optical Flow will add some extra frames in order to emulate the perfect slow motion. This function will render just the edit that is located between the in and out points you’ve previously created on your timeline. You can easily do so, by setting up in and out points at the beginning and the end of your clip as shown in the video above.Īfter that, go to Sequence in the top menu and choose Render In to Out. Typically, when you select Optical Flow, you’ll need to render out the effect once it’s applied to your clip. When you are utilizing this particular workflow it’s quite normal to get choppy and uneven results, unless you enable Optical Flow processing under Time Interpolation at the bottom of the Speed/Duration dialog box. Normally, you’d like to set your speed to 50%, even though when you’re working with a 60fps clip on a 24fps timeline, 30% should be just fine. Once you have your video clip inside Premiere Pro CC, throw it on your timeline and by right-clicking on it, choose Speed/Duration.
Here are two of the easiest and most straightforward methods you could opt for. The truth is, you can conform those clips in multiple ways and get some excellent results each and every time. Nevertheless, there are still some misconceptions regarding the way one should treat this footage inside Premiere Pro CC. Sure, you have to work with media that was shot at 60fps or higher to be able to get some decent results. I was a bit surprised to know that some video editors still struggle with finding the optimal approach when it comes to pulling off perfectly smooth and seamless slow-motion videos.
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